{"id":475,"date":"2026-09-15T09:47:53","date_gmt":"2026-09-15T09:47:53","guid":{"rendered":"https:\/\/filmmakingforsocialchange.org\/?page_id=475"},"modified":"2026-09-15T10:53:30","modified_gmt":"2026-09-15T10:53:30","slug":"program-2026","status":"publish","type":"page","link":"https:\/\/filmmakingforsocialchange.org\/eng\/program-2026\/","title":{"rendered":"2026 Edition"},"content":{"rendered":"
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DAY 1:<\/h2>\n

Thursday, October 15.<\/h2>\n

OPENING<\/h3>\n

OPENING \u2013 7:00 PM \u2013 8:30 PM \u2013 Civican Auditorium<\/strong><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Disarming the gaze. I\u00f1aki Alforja and Motxila 21<\/strong><\/p>\n

We focus on I\u00f1aki Alforja's film career.<\/p>\n

The filmmaker from Navarre brings us the keys to his way of understanding cinema and the audiovisual perspective. In addition, we have the presence of Motxila 21, a work of mutual trust between the filmmaker and the musical collective Motxila 21, aimed at breaking with historical stereotypes and the infantilization of people with disabilities.<\/p>\n

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Disarming the Gaze. I\u00f1aki Alforja<\/strong>. Year 2025<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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20:30 Bobbi Relac. Acoustic concert. Atrium.<\/strong><\/p>\n

Bobbi Relac's music is delicately articulated, like a song by
\nhealing that transcends the tear, wrapped in irony and humor already
\ncome these skins dressed in folk chords, blues notes, pop smiles,
\nwinds of heterodox rock, psychedelic suits and exotic caresses, or already back from experimental instrumental journeys<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Free admission until full capacity is reached. Registration forms:<\/strong><\/p>\n

1 - e-mail: informacioncivican@ fundacioncajanavarra.es<\/p>\n

2- Caja Navarra Foundation Line (948 222 444)<\/p>\n

3- In person at the Civican counter.<\/p>\n

Each person may make a maximum of 2 reservations.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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DAY 2:<\/h2>\n

\u00a0Friday, October 16<\/h2>\n

NAVARRESE AUDIOVISUAL PROJECTS WITH A FOCUS ON THE HUMAN BEING<\/h3>\n

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7:00 PM<\/strong><\/p>\n

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BEFORE YOU ARRIVED \u2013 Toni Sasal. 8\u2032. Premiere<\/strong>
\nScreening and dialogue with director<\/strong><\/p>\n

This audiovisual piece is born as a natural extension of the project
\nphotographic Before you arrived. Explore the everyday relationship that
\nany of us establishes with artistic manifestations that
\nwithin reach and, at the same time, represents an approach toward
\nall that which originates and sustains them.<\/p>\n

Indeed, the artist's work is an invisible force. As
\nspectators, we see the work of art, just as we see waves or the riverbed,
\nbut not the silent process that originated them nor the depth of their scope. Everything valuable matures in silence.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t

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FEFA \u2013 Monika Aranda 9\u2032\u00a0<\/strong><\/p>\n

Documentary short film that explores the memory and desire of Fefa, a
\n96-year-old woman, whose story is structured around a drawing of hers in
\nblack and white, the only one that remains. Through interviews and animations inspired by that image, the film constructs an intimate story where faith and love intertwine. The piece is presented with piano music, interpreted and improvised live by the renowned pianist Jonathan Milla.<\/p>\n

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FROM KRUTXALTEA TO URONA. Year 2024. Marina Lameiro<\/strong><\/p>\n

Between the Krutxaltea and Urona springs lies the village of Uztarroz, in
\nthe Navarrese Pyrenees. Filmmaker Marina Lameiro proposes to the people of Uzt\u00e1rroz
\nto collectively make a film in which they are the authors.
\nPeople of all ages participate to show what summer is like there. Krutxalteatik Uronarat is a film in which a town collectively determines how to self-represent.<\/p>\n

Marina Lameiro is a filmmaker and producer. Her work has been selected at festivals such as Visions du R\u00e9el, FIDMarseille, Punto de Vista, Open City London, and MoMA Doc Fortnight, among others. Put down roots once again.\u00bb<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t

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20:30 CONCERT: TXALAPARDOWN. ATRIUM.<\/strong><\/p>\n

The Txalaparta group of the Down Syndrome Association was born as a
\ninnovative and playful project that seeks emotional development, group interaction, and coordination through the musical rhythm of the percussion offered by the uniqueness of the Txalaparta.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t

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Free admission until full capacity is reached. Registration forms:<\/strong><\/p>\n

1 - e-mail: informacioncivican@ fundacioncajanavarra.es<\/p>\n

2- Caja Navarra Foundation Line (948 222 444)<\/p>\n

3- In person at the Civican counter.<\/p>\n

Each person may make a maximum of 2 reservations.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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DAY 3:<\/strong><\/h2>\n

Thursday, October 22<\/strong><\/h2>\n

INTERNATIONAL SELECTION<\/h3>\n

19:00 \u2013 20:00 Civican auditorium<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t

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SAUNA DAY \u2013 Anna Hints & Tushar Prakash \u2013 2024 \u2013 ESTONIA \u2013 13\u201917\u00bb
\nThe unspoken words resonate in the darkness of the sauna of
\nSmoke, where the men of southern Estonia go after a hard day's work. Cannes Critics' Week 2024, TIFF 2024, Clermont-Ferrand ISFF 2025, and over 100 international selections.<\/p>\n

CURA SANA \u2013 Luc\u00eda G. Romero \u2013 Spain \u2013 18 min. \u2013 2024
\nJessica and Alma are two sisters who find themselves in a situation
\nof domestic violence will begin to be treated with affection instead of with
\nviolence following one of her regular visits to the coupon office
\nfood for Saint John's Eve.<\/p>\n

GO YE AFAR. FRANK SWEENEY | 2026 | 24\u2032 Ireland
\nAn aging taxi embarks on a miraculous journey through the
\nintertwined history of charity, Christianity, and colonialism.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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20:00 SELF-PORTRAITS. OTHER WAYS OF LOOKING. ATRIUM.<\/em><\/strong><\/p>\n

Introducing a new section in Filmmaking for Social Change
\naimed at artists, collectives and\/or individuals with any background
\nprofessionals under 30 years old and used to sharing
\naudiovisual content on social media.<\/p>\n

We are looking for pieces under 3 minutes long that incorporate new uses of audiovisual formats (TIK TOK, Reels, vertical formats, hybrid formats) with any type of audiovisual quality, offering a self-referential, non-normative, and alternative view of the human being.
\ncontemporary.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Free admission until full capacity is reached. Registration forms:<\/strong><\/p>\n

1 - e-mail: informacioncivican@ fundacioncajanavarra.es<\/p>\n

2- Caja Navarra Foundation Line (948 222 444)<\/p>\n

3- In person at the Civican counter.<\/p>\n

Each person may make a maximum of 2 reservations.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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DAY 4 .<\/strong><\/h2>\n

Friday, October 23<\/strong><\/h2>\n

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19:00 ONE AND THREE HUMANS. BENIAMIN BOAR<\/strong><\/p>\n

We talked with the artist Beniamin Boar about his art project
\n\u201cOne and Three Humans is a performative installation that reinterprets the
\nwork \u201cOne and Three Chairs\u201d (1965) by Joseph Kosuth, substituting the everyday object with a living person. Through the simultaneous presence of the body, its life-scale photograph, and a textual definition of \u201chuman,\u201d the work establishes a dialogue between the real, the photographic, and the verbal, inviting reflection on which aspects of identity and human experience remain outside of all representation.\u201d<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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19:30 DANCE AND HUMANIST CONNECTION IN THE 21ST CENTURY\u00a0<\/strong><\/p>\n

BIRAN ON TOUR and Mesa Redonda<\/strong>. Izaskun Iturri, Daniel Velasco and Arantza Larrea<\/p>\n

We will explore through film, the spoken word, and dance the path of the
\nTradition vs Evolution in the local and European landscape. Izaskun Iturri us
\nwill present his documentary \u201cBiran (on tour)\u201d.<\/p>\n

We will also share the reflections in a round table with the musician Daniel Velasco and the artist Arantza Larrea.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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20:30 ZURETALUR. Batfolk concert and collective Dantza. Atrium<\/strong><\/p>\n

With the aim of converging ideas and materializing the above in all its dimensions, Zuretalur invites the public to immerse themselves in the balfolk concert to enjoy the music and collective dance that allow us to experience and shape the life around us from a place of naturalness and simplicity, thus inspiring social change through art and active culture.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Free admission until full capacity is reached. Registration forms:<\/strong><\/p>\n

1 - e-mail: informacioncivican@ fundacioncajanavarra.es<\/p>\n

2- Caja Navarra Foundation Line (948 222 444)<\/p>\n

3- In person at the Civican counter.<\/p>\n

Each person may make a maximum of 2 reservations.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t

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DAY 5 .<\/strong><\/h2>\n

Thursday, October 16<\/strong><\/h2>\n

Museum of Navarra 19:30<\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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19:00 BODY IN DANCE<\/strong><\/p>\n

Navarrese artist Carmen Larraz designs and performs a
\nChoreographic intervention in dialogue with the film piece
\n\u201cHow to Dance\u201d by Dutch filmmaker Aileen Yee.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t

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DAY 6 . <\/strong><\/h2>\n

Friday, October 30<\/strong><\/h2>\n

THE PASSION OF JOAN OF ARC + JU\u00c1REZ<\/strong><\/p>\n

Screening of the humanist masterpiece \u00abThe Passion of Joan of Arc\u00bb (C.T. Dreyer) with the live creation of the original soundtrack by Navarrese creators Cristina Aranguren and Jose Palanca (Ju\u00e1rez)<\/p>\n

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ARTISTIC PROGRAMMING<\/h2>\n

Silent Film Installation
\nThe installation puts two silent film pieces created by into dialogue
\nfemale filmmakers separated by 80 years who offer us two visions of being
\nhuman, with dance as the protagonist.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t

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RITUAL IN TRANSFIGURED TIMES Maya Deren<\/strong><\/p>\n

Ritual in Transfigured Time is a 15-minute silent short film focused on transformation, the passage of time, and the fluidity of body movement.<\/p>\n

The film addresses the metamorphosis of the individual within the group. Deren
\nIt uses dance and temporal manipulation (slow motion and image freezing) to turn social rituals into a mystical experience. F\u00e1brica de Arte Nuevo has created the soundtrack for this piece by Maya Deren in collaboration with the American artist Holly Miranda.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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SUN MOON RISING. Aileen Ye<\/strong><\/p>\n

Piece that explores migration, memory, and the way history
\nit is transmitted and transformed through the body over time.
\nThe play follows three figures \u2014Sun, Moon, and Rising\u2014, each of them
\nsituated in different landscapes. Moving separately through
\nelementary environments, trace fragmented paths shaped by the
\ndisplacement and the return. The figures seem to orbit one another
\nfrom others over time, as if trying to gather something that has been
\nscattered.<\/p>\n

Aileen Ye
\nDublin-based film director and screenwriter exploring subcultures
\ncontemporary and the politics of the body.<\/p>\n

Her films have been screened internationally at festivals such as the
\nBFI London Film Festival, IFFR, and SXSW London, and have been exhibited at art institutions such as the Barbican, the ICA, LUX, FACT Liverpool, Art Rotterdam, and esea Contemporary.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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BEFORE YOU ARRIVED. Toni Sasal<\/strong><\/p>\n

Before you arrived is a personal photographic project by Toni Sasal that portrays Navarrese artists \u2014 or those closely linked to this community \u2014 from different generations and disciplines, including painting, architecture, photography, dance, literature, sculpture, and theater, captured in intimate moments of their creative process. This project, with the aim of photographing Navarrese artistic talent, began in 2019 and to this day remains ongoing with more than 200 artists photographed.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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ONE AND THREE HUMANS. Beniamin Boar<\/strong><\/p>\n

Performative installation that reinterprets the work \u201cOne and Three Chairs\u201d
\n(1965) by Joseph Kosuth substituting the everyday object with a
\nliving person. Through the simultaneous presence of the body, its
\nlife-sized photograph and a textual definition of \u201chuman\u201d, the artwork
\nestablishes a dialogue between the real, the photographic, and the verbal, inviting
\nreflect on what aspects of identity and human experience
\nremain outside of all representation.\u201d
\nBeniamin Boar (b. 1978, Romania) is a dancer, performing artist, and photographer
\nliving in Pamplona. She trained in Bucharest and at the Ballet School
\nfrom Hamburg. Between 2001 and 2005 she was a member of Rosas, the company of
\nAnne Teresa De Keersmaeker, and has also collaborated with Charleroi-
\nDances, Thierry De Mey, Les Ballets C de la B and Ultima Vez. Since 2013
\nworks alongside Alexandra Pirici and Manuel Pelmu\u0219 on projects
\npresented in institutions such as La Biennale di Venezia, Tate Modern,
\nCentre Pompidou, Skulptur Projekte M\u00fcnster, Kunsthalle Wien, Museum
\nMuseum Ludwig Cologne, Van Abbemuseum Eindhoven, and the Munch Museum in Oslo.
\nA graduate of the RHoK Academy in Brussels, he is also a part
\nof the Kunstenfestivaldesarts photography team in the same city.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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FILMS FOR SOCIAL CHANGE. Library Network<\/strong>
\nThe social avant-garde cinema platform \u201cFilms for Social Change\u201d arrives in
\nseveral libraries in the Public Library Network. Civican, Yamaguchi,
\nLakuntza, Cizur, Lumbier and Fusti\u00f1ana.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t

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\"\"<\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"JORNADA 1: Jueves 15 de octubre. APERTURA INAUGURACI\u00d3N - 19:00 - 20:30- Auditorio Civican Desarmar la mirada. I\u00f1aki Alforja y Motxila 21 Ponemos el foco en la trayectoria cinematogr\u00e1fica de I\u00f1aki Alforja. El realizador navarro nos acerca las claves de su forma de entender el cine y lamirada audiovisual. Adem\u00e1s,contamos con la presencia de Motxila [...]","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-475","page","type-page","status-publish","hentry"],"yoast_head":"\nEdici\u00f3n 2026 - Filmmaking for social change<\/title>\n<meta name=\"description\" content=\"Filmmaking for Social Change celebra su sexta edici\u00f3n que estar\u00e1 dedicadaa la reflexi\u00f3n acerca del Amor\/Odio. Lo har\u00e1 por primer a\u00f1o en Civican,localizaci\u00f3n con la que comparte una forma de entender la cultura como unelemento transversal y compartido con la ciudadan\u00eda, as\u00ed como un veh\u00edculopara hacernos pensar. Filmmaking for social Change es un festival nocompetitivo en el que tienen cabida distintas manifestaciones culturales comoel cine, el arte, la antropolog\u00eda visual y la cultura en un amplio espectro.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmmakingforsocialchange.org\/eng\/program-2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Edici\u00f3n 2026 - Filmmaking for social change\" \/>\n<meta property=\"og:description\" content=\"Filmmaking for Social Change celebra su sexta edici\u00f3n que estar\u00e1 dedicadaa la reflexi\u00f3n acerca del Amor\/Odio. Lo har\u00e1 por primer a\u00f1o en Civican,localizaci\u00f3n con la que comparte una forma de entender la cultura como unelemento transversal y compartido con la ciudadan\u00eda, as\u00ed como un veh\u00edculopara hacernos pensar. Filmmaking for social Change es un festival nocompetitivo en el que tienen cabida distintas manifestaciones culturales comoel cine, el arte, la antropolog\u00eda visual y la cultura en un amplio espectro.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/filmmakingforsocialchange.org\/eng\/program-2026\/\" \/>\n<meta property=\"og:site_name\" content=\"Filmmaking for social change\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-15T10:53:30+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/filmmakingforsocialchange.org\\\/program-2026\\\/\",\"url\":\"https:\\\/\\\/filmmakingforsocialchange.org\\\/program-2026\\\/\",\"name\":\"Edici\u00f3n 2026 - Filmmaking for social change\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/filmmakingforsocialchange.org\\\/#website\"},\"datePublished\":\"2026-09-15T09:47:53+00:00\",\"dateModified\":\"2026-09-15T10:53:30+00:00\",\"description\":\"Filmmaking for Social Change celebra su sexta edici\u00f3n que estar\u00e1 dedicadaa la reflexi\u00f3n acerca del Amor\\\/Odio. 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