{"id":475,"date":"2026-09-15T09:47:53","date_gmt":"2026-09-15T09:47:53","guid":{"rendered":"https:\/\/filmmakingforsocialchange.org\/?page_id=475"},"modified":"2026-09-15T10:53:30","modified_gmt":"2026-09-15T10:53:30","slug":"program-2026","status":"publish","type":"page","link":"https:\/\/filmmakingforsocialchange.org\/eus\/program-2026\/","title":{"rendered":"2026ko edizioa"},"content":{"rendered":"<div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2>1. EGUNA:<\/h2>\n<h2>Jueves 15 de octubre.<\/h2>\n<h3>IREKIERA<\/h3>\n<p><strong>INAUGURACI\u00d3N &#8211; 19:00 &#8211; 20:30- Auditorio Civican<\/strong><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h3><\/h3>\n<p><strong>Desarmar la mirada. I\u00f1aki Alforja y Motxila 21<\/strong><\/p>\n<p>Ponemos el foco en la trayectoria cinematogr\u00e1fica de I\u00f1aki Alforja.<\/p>\n<p>El realizador navarro nos acerca las claves de su forma de entender el cine y lamirada audiovisual. Adem\u00e1s,contamos con la presencia de Motxila 21, un trabajo de confianza mutua entre el cineasta y el colectivo musical Motxila 21, orientada a romper con los estereotipos hist\u00f3ricos y la infantilizaci\u00f3n de las personas con discapacidad.<\/p>\n<p>&nbsp;<\/p>\n<h3><\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  film1 film\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>Desarmar la mirada. I\u00f1aki Alforja<\/strong>. A\u00f1o 2025<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"168\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/desar-300x168.jpg\" class=\"vc_single_image-img attachment-medium\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/desar-300x168.jpg 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/desar-768x430.jpg 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/desar-18x10.jpg 18w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/desar.jpg 877w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"190\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-133128-300x190.png\" class=\"vc_single_image-img attachment-medium\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-133128-300x190.png 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-133128-768x487.png 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-133128-18x12.png 18w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-133128.png 887w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-6\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  film1 film\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>20:30 Bobbi Relac. Concierto ac\u00fastico. Atrio.<\/strong><\/p>\n<p>La m\u00fasica de Bobbi Relac se articula con delicadeza, como canci\u00f3n de<br \/>\nsanaci\u00f3n que trasciende al desgarro, envuelta en iron\u00eda y en humor ya<br \/>\nvengan \u00e9stas pieles vestidas de acordes folk, notas blues, sonrisas pop,<br \/>\nvientos de rock heterodoxo, trajes psicod\u00e9licos y caricias ex\u00f3ticas o anden ya de vuelta por viajes instrumentales experimentales<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid apunta vc_row-o-content-bottom vc_row-flex\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>Sarrera doan edukiera bete arte. Izena emateko formularioak:<\/strong><\/p>\n<p>1 \u2013 posta elektronikoa: informacioncivican@ fundacioncajanavarra.es<\/p>\n<p>2- Nafarroako Kutxa Fundazioaren Linea (948 222 444)<\/p>\n<p>3- Bertatik bertara Civicaneko leihatilan<\/p>\n<p>Pertsona bakoitzak gehienez 2 erreserba egin ditzake.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2>2. EGUNA:<\/h2>\n<h2>\u00a0Viernes 16 octubre<\/h2>\n<h3>PROYECTOS AUDIOVISUALES NAVARROS CON FOCO EN EL SER HUMANO<\/h3>\n<p>&nbsp;<\/p>\n<p><strong>19:00 hrs<\/strong><\/p>\n<h3><\/h3>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>ANTES DE QUE LLEGARAS &#8211; Toni Sasal. 8&#8242; . Estreno<\/strong><br \/>\n<strong>Proiekzioa eta zuzendariarekin elkarrizketa<\/strong><\/p>\n<p>Esta pieza audiovisual nace como una prolongaci\u00f3n natural del proyecto<br \/>\nfotogr\u00e1fico Antes de que llegaras. Explora la relaci\u00f3n cotidiana que<br \/>\ncualquiera de nosotros establece con las manifestaciones art\u00edsticas que<br \/>\nencuentra a su alcance y, al mismo tiempo, supone un acercamiento hacia<br \/>\ntodo aquello que las origina y sostiene.<\/p>\n<p>Efectivamente, el trabajo del artista es una fuerza invisible. Como<br \/>\nespectadores vemos la obra, igual que vemos las ondas o el cauce del r\u00edo,<br \/>\npero no el proceso silencioso que las origin\u00f3 ni la profundidad de su alcance. Todo lo valioso madura en silencio.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-133713-150x150.png\" class=\"vc_single_image-img attachment-thumbnail\" alt=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>FEFA &#8211; Monika Aranda 9&#8242;\u00a0<\/strong><\/p>\n<p>Cortometraje documental que explora la memoria y el deseo de Fefa, una<br \/>\nmujer de 96 a\u00f1os, cuya historia se articula a partir de un dibujo suyo en<br \/>\nblanco y negro, el \u00fanico que conserva. A trav\u00e9s de entrevistas y animaciones inspiradas en esa imagen, la pel\u00edcula construye un relato \u00edntimo donde fe y amor se entrelazan. La pieza se presenta con m\u00fasica de piano, linterpretada e improvisada en directo por el reconocido pianista Jonathan Milla.<\/p>\n<p>&nbsp;<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"168\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/images-19-300x168.jpeg\" class=\"vc_single_image-img attachment-medium\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/images-19-300x168.jpeg 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/images-19-18x10.jpeg 18w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/images-19.jpeg 739w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>KRUTXALTEATIK URONARAT. A\u00f1o 2024. Marina Lameiro<\/strong><\/p>\n<p>Entre las fuentes Krutxaltea y Urona se encuentra el pueblo de Uztarroz, en<br \/>\nel Pirineo Navarro.La cineasta Marina Lameiro propone a los uztarroztarras<br \/>\nrealizar una pel\u00edcula de manera colectiva en la que ellos sean los autores.<br \/>\nParticipan personas de todas las edades para mostrar c\u00f3mo es el verano all\u00ed. Krutxalteatik Uronarat es una pel\u00edcula en la que un pueblo determina de\u00a0 manera colectiva c\u00f3mo autorrepresentarse.<\/p>\n<p>Marina Lameiro es cineasta y productora. Su trabajo ha sido seleccionado en festivales como Visions du R\u00e9el, FIDMarseille, Punto de Vista, Open City London o MoMA Doc Fortnight, entre otros. vuelva a echar ra\u00edces.\u00bb<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"170\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-135120-300x170.png\" class=\"vc_single_image-img attachment-medium\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-135120-300x170.png 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-135120-768x435.png 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-135120-18x10.png 18w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-135120.png 886w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>20:30\u00a0 CONCIERTO : TXALAPARDOWN. ATRIO.<\/strong><\/p>\n<p>El grupo de Txalaparta de la Asociaci\u00f3n S\u00edndrome de Down, nace como un<br \/>\nproyecto innovador y l\u00fadico, que busca el desarrollo emocional, la interacci\u00f3n grupal y la coordinaci\u00f3n, a trav\u00e9s del ritmo musical de la percusi\u00f3n que nos ofrece la peculiaridad de la Txalaparta.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t\t<\/div>\n\t<\/div>\n\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"887\" height=\"660\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-135338.png\" class=\"vc_single_image-img attachment-full\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-135338.png 887w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-135338-300x223.png 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-135338-768x571.png 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-135338-16x12.png 16w\" sizes=\"auto, (max-width: 887px) 100vw, 887px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>&nbsp;<\/p>\n<h3><\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid apunta vc_row-o-content-bottom vc_row-flex\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>Sarrera doan edukiera bete arte. Izena emateko formularioak:<\/strong><\/p>\n<p>1 \u2013 posta elektronikoa: informacioncivican@ fundacioncajanavarra.es<\/p>\n<p>2- Nafarroako Kutxa Fundazioaren Linea (948 222 444)<\/p>\n<p>3- Bertatik bertara Civicaneko leihatilan<\/p>\n<p>Pertsona bakoitzak gehienez 2 erreserba egin ditzake.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2><strong>3. EGUNA:<\/strong><\/h2>\n<h2><strong>Jueves 22 octubre<\/strong><\/h2>\n<h3>NAZIOARTEKO SELEKZIOA<\/h3>\n<p>19:00 &#8211; 20:00 Sal\u00f3n de actos Civican<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"781\" height=\"472\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/brif-braf-bruf.jpg\" class=\"vc_single_image-img attachment-large\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/brif-braf-bruf.jpg 781w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/brif-braf-bruf-300x181.jpg 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/brif-braf-bruf-768x464.jpg 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/brif-braf-bruf-18x12.jpg 18w\" sizes=\"auto, (max-width: 781px) 100vw, 781px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"122\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-140328-300x122.png\" class=\"vc_single_image-img attachment-medium\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-140328-300x122.png 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-140328-768x312.png 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-140328-18x7.png 18w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-140328.png 890w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  film6 film\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>SAUNA DAY &#8211; Anna Hints &amp; Tushar Prakash &#8211; 2024 &#8211; ESTONIA &#8211; 13&#8217;17\u00bb<br \/>\nLas palabras no pronunciadas resuenan en la oscuridad de la sauna de<br \/>\nhumo, adonde acuden los hombres del sur de Estonia tras una dura jornada de trabajo. Semana de la Cr\u00edtica de Cannes 2024, TIFF 2024, ISFF de Clermont-Ferrand 2025, y m\u00e1s de 100 selecciones internacionales.<\/p>\n<p>CURA SANA &#8211; Luc\u00eda G. Romero \u2013 Espa\u00f1a \u2013 18 min. \u2013 2024<br \/>\nJessica y Alma son, dos hermanas que se encuentran en una situaci\u00f3n<br \/>\nde violencia dom\u00e9stica empezar\u00e1n a tratarse con cari\u00f1o en lugar de con<br \/>\nviolencia a ra\u00edz de una de sus visitas habituales a la oficina de cupones<br \/>\nde alimentos la noche de San Juan.<\/p>\n<p>GO YE AFAR. FRANK SWEENEY | 2026 | 24\u2032 Irlanda<br \/>\nUn taxi envejecido emprende un viaje milagroso a trav\u00e9s de la<br \/>\nentrelazada historia de la caridad, el cristianismo y el colonialismo.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"781\" height=\"472\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/brif-braf-bruf.jpg\" class=\"vc_single_image-img attachment-large\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/brif-braf-bruf.jpg 781w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/brif-braf-bruf-300x181.jpg 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/brif-braf-bruf-768x464.jpg 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/brif-braf-bruf-18x12.jpg 18w\" sizes=\"auto, (max-width: 781px) 100vw, 781px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  film6 film\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong><em>20:00 AUTORRETRATOS. OTRAS FORMAS DE MIRAR. ATRIO.<\/em><\/strong><\/p>\n<p>Presentamos una nueva secci\u00f3n en Filmmaking for Social Change<br \/>\ndirigida a artistas, colectivos y\/o personas con cualquier trayectoria<br \/>\nprofesional menores de 30 a\u00f1os y acostumbradas a compartir<br \/>\ncontenidos audiovisuales en redes sociales.<\/p>\n<p>Buscamos piezas de duraci\u00f3n inferior a 3 minutos que incorporen nuevos usos de formatos audiovisuales (TIK TOK, Reels, formatos verticales, formatos h\u00edbridos) con cualquier tipo de calidad audiovisual, que den una mirada autoreferencial, no normativa y alternativa del ser humano<br \/>\ncontempor\u00e1neo.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid apunta vc_row-o-content-bottom vc_row-flex\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>Sarrera doan edukiera bete arte. Izena emateko formularioak:<\/strong><\/p>\n<p>1 \u2013 posta elektronikoa: informacioncivican@ fundacioncajanavarra.es<\/p>\n<p>2- Nafarroako Kutxa Fundazioaren Linea (948 222 444)<\/p>\n<p>3- Bertatik bertara Civicaneko leihatilan<\/p>\n<p>Pertsona bakoitzak gehienez 2 erreserba egin ditzake.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2><strong>4. EGUNA.<\/strong><\/h2>\n<h2><strong> Viernes 23 octubre<\/strong><\/h2>\n<h3><\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" class=\"vc_img-placeholder vc_single_image-img\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/plugins\/js_composer\/assets\/vc\/no_image.png\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  film6 film\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>19:00 UNO Y TRES HUMANOS. BENIAMIN BOAR<\/strong><\/p>\n<p>Dialogamos con el artista Beniamin Boar acerca de su proyecto art\u00edstico<br \/>\n\u201cUno y Tres Humanos es una instalaci\u00f3n performativa que reinterpreta la<br \/>\nobra \u201cOne and Three Chairs\u201d (1965) de Joseph Kosuth sustituyendo el objeto cotidiano por una persona viva. A trav\u00e9s de la presencia simult\u00e1nea del cuerpo, su fotograf\u00eda a escala real y una definici\u00f3n textual de \u201chumano\u201d, la obra establece un di\u00e1logo entre lo real, lo fotogr\u00e1fico y lo verbal, invitando a reflexionar sobre qu\u00e9 aspectos de la identidad y la experiencia humana permanecen fuera de toda representaci\u00f3n.\u201d<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"773\" height=\"627\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/holly-miranda.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/holly-miranda.jpg 773w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/holly-miranda-300x243.jpg 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/holly-miranda-768x623.jpg 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/09\/holly-miranda-15x12.jpg 15w\" sizes=\"auto, (max-width: 773px) 100vw, 773px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  film6 film\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>19:30 LA DANTZA Y LA CONEXI\u00d3N HUMANISTA EN EL SIGLO XXI\u00a0<\/strong><\/p>\n<p><strong>BIRAN ON TOUR y Mesa Redonda<\/strong>. Izaskun Iturri, Daniel Velasco y Arantza Larrea<\/p>\n<p>Exploraremos a trav\u00e9s del cine, la palabra y la danza el sendero de la<br \/>\nTradici\u00f3n vs Evoluci\u00f3n en el panorama local y europeo. Izaskun Iturri nos<br \/>\npresentar\u00e1 su documental \u201cBiran (on tour)\u201d.<\/p>\n<p>Adem\u00e1s compartiremos las reflexiones en una mesa redonda con el m\u00fasico Daniel Velasco y la artista Arantza Larrea.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-141741-150x150.png\" class=\"vc_single_image-img attachment-thumbnail\" alt=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>20:30 ZURETALUR. Concierto y Dantza colectiva de Batfolk. Atrio<\/strong><\/p>\n<p>Con el objetivo de converger las ideas y materializar lo anterior en todas sus dimensiones, Zuretalur invita al p\u00fablico a a sumergirse en el concierto-balfolk para disfrutar de la m\u00fasica y la danza colectiva que nos permiten experimentar y moldear la vida que nos rodea desde la naturalidad y la sencillez, inspirando as\u00ed el cambio social a trav\u00e9s del arte y la cultura activa.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid apunta vc_row-o-content-bottom vc_row-flex\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>Sarrera doan edukiera bete arte. Izena emateko formularioak:<\/strong><\/p>\n<p>1 \u2013 posta elektronikoa: informacioncivican@ fundacioncajanavarra.es<\/p>\n<p>2- Nafarroako Kutxa Fundazioaren Linea (948 222 444)<\/p>\n<p>3- Bertatik bertara Civicaneko leihatilan<\/p>\n<p>Pertsona bakoitzak gehienez 2 erreserba egin ditzake.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2><strong>5. EGUNA.<\/strong><\/h2>\n<h2><strong> Osteguna, urriaren 16a<\/strong><\/h2>\n<h3>Navarrako Museoa 19:30ean<\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-10\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  film6 film\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>19:00 CUERPO EN DANZA<\/strong><\/p>\n<p>La artista navarra Carmen Larraz (Navarra). dise\u00f1a e interpreta una<br \/>\nIntervenci\u00f3n coreogr\u00e1fica en di\u00e1logo con la pieza cinematogr\u00e1fica<br \/>\n\u201cHow to Dance\u201d de la cineasta de Pa\u00edses Bajos Aileen Yee.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"872\" height=\"647\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-142423.png\" class=\"vc_single_image-img attachment-full\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-142423.png 872w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-142423-300x223.png 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-142423-768x570.png 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-142423-16x12.png 16w\" sizes=\"auto, (max-width: 872px) 100vw, 872px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2><strong>6. EGUNA. <\/strong><\/h2>\n<h2><strong>Viernes 30 octubre<\/strong><\/h2>\n<p><strong>LA PASI\u00d3N DE JUANA DE ARCO + JU\u00c1REZ<\/strong><\/p>\n<p>Proyecci\u00f3n de la obra maestra humanista \u00abLa Pasi\u00f3n de Juana de Arco\u00bb (C.T. Dreyer) se crear\u00e1 la banda sonora original en directo con los\/as creadores\/as navarros\/as Cristina Aranguren y Jose Palanca (Ju\u00e1rez)<\/p>\n<p>&nbsp;<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"892\" height=\"655\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-142852.png\" class=\"vc_single_image-img attachment-full\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-142852.png 892w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-142852-300x220.png 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-142852-768x564.png 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-142852-16x12.png 16w\" sizes=\"auto, (max-width: 892px) 100vw, 892px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-2\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2>PROGRAMAZIO ARTISTIKOA<\/h2>\n<p>INSTALACI\u00d3N DE CINE MUDO<br \/>\nLa instalaci\u00f3n pone en di\u00e1logo dos piezas de cine mudo realizadas por<br \/>\nrealizadoras con 80 a\u00f1os de distancia que nos ofrecen dos visiones del ser<br \/>\nhumano, con la danza como protagonista.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"880\" height=\"635\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143144.png\" class=\"vc_single_image-img attachment-full\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143144.png 880w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143144-300x216.png 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143144-768x554.png 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143144-18x12.png 18w\" sizes=\"auto, (max-width: 880px) 100vw, 880px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  film6 film\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>RITUAL IN TRANSFIGURED TIMES Maya Derem<\/strong><\/p>\n<p>Ritual in Transfigured Time es un cortometraje mudo de 15 minutos centrado en la transformaci\u00f3n, el paso del tiempo y la fluidez del movimiento corporal.<\/p>\n<p>La pel\u00edcula aborda la metamorfosis del individuo dentro del grupo. Deren<br \/>\nutiliza la danza y la manipulaci\u00f3n temporal (ralent\u00ed y congelado de imagen) para convertir los rituales sociales en una experiencia m\u00edstica. F\u00e1brica de Arte Nuevo ha cfreado en colaboraci\u00f3n con la artista norteamericana Holly Miranda la BSO de esta pieza de Maya Derem.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"877\" height=\"495\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143351.png\" class=\"vc_single_image-img attachment-full\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143351.png 877w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143351-300x169.png 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143351-768x433.png 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143351-18x10.png 18w\" sizes=\"auto, (max-width: 877px) 100vw, 877px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  film6 film\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>SUN MOON RISING. Aileen Ye<\/strong><\/p>\n<p>Pieza que explora la migraci\u00f3n, la memoria y la forma en que la historia<br \/>\nse transmite y se transforma a trav\u00e9s del cuerpo a lo largo del tiempo.<br \/>\nLa obra sigue a tres figuras \u2014Sun, Moon y Rising\u2014, cada una de ellas<br \/>\nsituada en paisajes distintos. Movi\u00e9ndose por separado a trav\u00e9s de<br \/>\nentornos elementales, trazan caminos fragmentados moldeados por el<br \/>\ndesplazamiento y el retorno. Las figuras parecen orbitar unas alrededor<br \/>\nde otras a lo largo del tiempo, como si intentaran reunir algo que se ha<br \/>\ndispersado.<\/p>\n<p>Aileen Ye<br \/>\nDirectora de cine y guionista de Dubl\u00edn que explora las subculturas<br \/>\ncontempor\u00e1neas y la pol\u00edtica del cuerpo.<\/p>\n<p>Sus pel\u00edculas se han proyectado a nivel internacional en festivales como el<br \/>\nFestival de Cine de Londres del BFI, el IFFR y el SXSW de Londres, y se han expuesto en instituciones art\u00edsticas como el Barbican, el ICA, LUX, FACT Liverpool, Art Rotterdam y esea Contemporary.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"325\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143517.png\" class=\"vc_single_image-img attachment-full\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143517.png 512w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143517-300x190.png 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143517-18x12.png 18w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  film6 film\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>ANTES DE QUE LLEGARAS. Toni Sasal<\/strong><\/p>\n<p>Antes de que llegaras es un proyecto fotogr\u00e1fico personal de Toni Sasal que retrata a artistas navarros \u2014o estrechamente vinculados a esta comunidad \u2014 de distintas generaciones y disciplinas, entre otras la pintura, arquitectura, fotograf\u00eda, danza, literatura, escultura o teatro, captados en momentos \u00edntimos de su proceso creativo. Este proyecto, con el objetivo de fotografiar el talento art\u00edstico navarro, se inici\u00f3 en 2019, y a d\u00eda de hoy sigue abierto con mas de 200 artistas fotografiados.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"871\" height=\"601\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143647.png\" class=\"vc_single_image-img attachment-full\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143647.png 871w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143647-300x207.png 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143647-768x530.png 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/Captura-de-pantalla-2026-09-14-143647-18x12.png 18w\" sizes=\"auto, (max-width: 871px) 100vw, 871px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-8\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element  film6 film\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>UNO Y TRES HUMANOS. Beniamin Boar<\/strong><\/p>\n<p>Instalaci\u00f3n performativa que reinterpreta la obra \u201cOne and Three Chairs\u201d<br \/>\n(1965) de Joseph Kosuth sustituyendo el objeto cotidiano por una<br \/>\npersona viva. A trav\u00e9s de la presencia simult\u00e1nea del cuerpo, su<br \/>\nfotograf\u00eda a escala real y una definici\u00f3n textual de \u201chumano\u201d, la obra<br \/>\nestablece un di\u00e1logo entre lo real, lo fotogr\u00e1fico y lo verbal, invitando a<br \/>\nreflexionar sobre qu\u00e9 aspectos de la identidad y la experiencia humana<br \/>\npermanecen fuera de toda representaci\u00f3n.\u201d<br \/>\nBeniamin Boar (n. 1978, Ruman\u00eda) es bailar\u00edn, artista esc\u00e9nico y fot\u00f3grafo<br \/>\nresidente en Pamplona. Se form\u00f3 en Bucarest y en la Escuela de Ballet<br \/>\nde Hamburgo. Entre 2001 y 2005 fue miembro de Rosas, la compa\u00f1\u00eda de<br \/>\nAnne Teresa De Keersmaeker, y ha colaborado tambi\u00e9n con Charleroi-<br \/>\nDanses, Thierry De Mey, Les Ballets C de la B y Ultima Vez. Desde 2013<br \/>\ntrabaja junto a Alexandra Pirici y Manuel Pelmu\u0219 en proyectos<br \/>\npresentados en instituciones como La Biennale di Venezia, Tate Modern,<br \/>\nCentre Pompidou, Skulptur Projekte M\u00fcnster, Kunsthalle Wien, Museum<br \/>\nLudwig K\u00f6ln, Van Abbemuseum Eindhoven y el Museo Munch de Oslo.<br \/>\nGraduado de la RHoK Academy de Bruselas, forma parte tambi\u00e9n<br \/>\ndelequipo de fot\u00f3grafos del Kunstenfestivaldesarts en la misma ciudad.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid apunta vc_row-o-content-bottom vc_row-flex\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>Sarrera doan edukiera bete arte. <\/strong><\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element  film6 film\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><strong>FILMS FOR SOCIAL CHANGE. Red de Bibliotecas<\/strong><br \/>\nLa plataforma de cine de vanguardia social \u201cFilms for Social Change\u201d llega a<br \/>\nvarias bibliotecas de la Red de bibliotecas p\u00fablicas. Civican, Yamaguchi,<br \/>\nLakuntza, Cizur, Lumbier y Fusti\u00f1ana.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"877\" height=\"596\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/films-social.png\" class=\"vc_single_image-img attachment-full\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/films-social.png 877w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/films-social-300x204.png 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/films-social-768x522.png 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2026\/09\/films-social-18x12.png 18w\" sizes=\"auto, (max-width: 877px) 100vw, 877px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" width=\"1413\" height=\"137\" src=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/11\/faldon.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" srcset=\"https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/11\/faldon.jpg 1413w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/11\/faldon-300x29.jpg 300w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/11\/faldon-1024x99.jpg 1024w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/11\/faldon-768x74.jpg 768w, https:\/\/filmmakingforsocialchange.org\/wp-content\/uploads\/2025\/11\/faldon-18x2.jpg 18w\" sizes=\"auto, (max-width: 1413px) 100vw, 1413px\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"JORNADA 1: Jueves 15 de octubre. APERTURA INAUGURACI\u00d3N - 19:00 - 20:30- Auditorio Civican Desarmar la mirada. I\u00f1aki Alforja y Motxila 21 Ponemos el foco en la trayectoria cinematogr\u00e1fica de I\u00f1aki Alforja. El realizador navarro nos acerca las claves de su forma de entender el cine y lamirada audiovisual. Adem\u00e1s,contamos con la presencia de Motxila [...]","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-475","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Edici\u00f3n 2026 - Filmmaking for social change<\/title>\n<meta name=\"description\" content=\"Filmmaking for Social Change celebra su sexta edici\u00f3n que estar\u00e1 dedicadaa la reflexi\u00f3n acerca del Amor\/Odio. 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Filmmaking for social Change es un festival nocompetitivo en el que tienen cabida distintas manifestaciones culturales comoel cine, el arte, la antropolog\u00eda visual y la cultura en un amplio espectro.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmmakingforsocialchange.org\/eus\/program-2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Edici\u00f3n 2026 - Filmmaking for social change\" \/>\n<meta property=\"og:description\" content=\"Filmmaking for Social Change celebra su sexta edici\u00f3n que estar\u00e1 dedicadaa la reflexi\u00f3n acerca del Amor\/Odio. 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Lehen aldiz Civicanen egingo da, kultura herritarrek partekatzen duten zeharkako elementu eta hausnarketarako bide gisa ulertzeko modua partekatzen duen tokian. Gizarte Aldaketarako Zinemaking jaialdi ez-lehiakorra da, zinema, artea, antropologia bisuala eta kulturaren espektro zabala bezalako adierazpen kultural anitzak hartzen dituena barne.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/filmmakingforsocialchange.org\/eus\/program-2026\/","og_locale":"en_US","og_type":"article","og_title":"Edici\u00f3n 2026 - Filmmaking for social change","og_description":"Filmmaking for Social Change celebra su sexta edici\u00f3n que estar\u00e1 dedicadaa la reflexi\u00f3n acerca del Amor\/Odio. 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